WALT KELLY's POGO Uncle Pogo so-so stories (The Best of Pogo) Gregg Press, 1977 Gregg Press 1977 Limited Edition


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Uncle Pogo so-so stories (The Best of Pogo)

Gregg Press, 1977

Gregg Press

Boston

September,1977

First Edition.

First hardcover edition. 1000 copies printed

Fine/Very Good

First Printing (1977) of the First Hardback Edition. A fine copy in lightly worn jacket. Walt Kelly's Pogo books selected by David Hartwell

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Walter Crawford Kelly, Jr. was born in Philadelphia on August 25, 1913, though his family moved to Bridgeport, Connecticut when he was only 2. He went to California at age 22, to work on Donald Duck cartoons at Walt Disney Studios in 1935. He stayed until the animators' strike in 1941, as an animator on The Nifty Nineties, The Little Whirlwind, Pinocchio, Fantasia, Dumbo and The Reluctant Dragon. Kelly then worked for Dell Comics, a division of Western Publishing of Racine, Wisconsin.

POGO is the title and central character of a long-running daily American comic strip, created by cartoonist Walt Kelly (1913–1973) and distributed by the Post-Hall Syndicate. Set in the Okefenokee Swamp of the southeastern United States, the strip often engaged in social and political satire through the adventures of its anthropomorphic funny animal characters.

Pogo combined both sophisticated wit and slapstick physical comedy in a heady mix of allegory, Irish poetry, literary whimsy, puns and wordplay, lushly detailed artwork and broad burlesque humor. The same series of strips can be enjoyed on different levels by both young children and savvy adults. The strip earned Kelly a Reuben Award in 1951.

Dell Comics

Kelly created the characters of Pogo the possum and Albert the alligator in 1941 for issue #1 of Dell's Animal Comics, in the story "Albert Takes the Cake." Both were comic foils for a young black character named Bumbazine (a corruption of bombazine, a fabric that was usually dyed black and used largely for mourning wear), who lived in the swamp. Bumbazine was retired early, since Kelly found it hard to write for a human child. He eventually phased humans out of the comics entirely, preferring to use the animal characters for their comic potential. Kelly said he used animals—"nature's screechers," as he called them—"largely because you can do more with animals. They don't hurt as easily, and it's possible to make them more believable in an exaggerated pose." Pogo, formerly a "spear carrier" according to Kelly, quickly took center stage, assuming the straight man role that Bumbazine had occupied.

The New York Star

In his 1954 autobiography for the Hall Syndicate, Kelly said he "fooled around with the Foreign Language Unit of the Army during the war, illustrating grunts and groans, and made friends in the newspaper and publishing business." In 1948 he was hired to draw political cartoons for the editorial page of the short-lived New York Star; he decided to do a daily comic strip featuring the characters from Animal Comics. The first comic series to make the permanent transition to newspapers, Pogo debuted on October 4, 1948 and ran continuously until the paper folded on January 28, 1949

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